She belongs to the research group ‘Body and Textuality’ (SGR2009/65). xii NIP/TUCK Isabel Clúa Ginés obtained her PhD in Literary Theory and Comparative Literature from the Universitat Autònoma de Barcelona. ‘Split Skin: Adolescent Cutters and the Other’ is forthcoming in an edited collection entitled Skin, Culture, and Psychoanalysis. Her research focuses on a concept she calls ‘real-world therapy’: everyday experiences in fiction and life that occasion therapeutic effects outside a clinical setting. Galioto is Assistant Professor of English at Shippensburg University of Pennsylvania, where she teaches classes in American literature and psychoanalysis, English education, and writing.
Nip and tuck carpet series#
His other contributions to I.B.Tauris’s ‘Reading Contemporary Television’ series are included in Reading The L Word: Outing Contemporary Television (I.B.Tauris, 2006), Reading Six Feet Under: TV to Die For (I.B.Tauris, 2005) and Reading Sex and the City (I.B.Tauris, 2004) he has an essay in the book EntreMundos/Among Worlds: New Perspectives on Gloria Anzaldua (Palgrave Macmillan, 2005), and he also wrote the topic entry of ‘American Gay and Lesbian Poetry’, which appears in The Greenwood Encyclopedia of American Poets and Poetry, 5 vols (Greenwood, 2005). His emphases include LGBTQ studies, the Gothic genre, Twentieth Century and Contemporary American Poetry, Art History, and Visual Culture/Media Studies. Bundy is Lecturer in English and Composition at the University of California, Riverside. At URI, Jenn teaches for the Women’s Studies programme and is finishing a dissertation that looks at the role of the body in the literature of 9/11. JS _ _ _ _ _ _ _ _ _ _ _ notes on contributors Jenn Brandt holds an MA in popular culture from Bowling Green State University and is a doctoral candidate in the English Department at the University of Rhode Island. Also gratefully thanked are the editors and publishers at I.B.Tauris.
RK My thanks to Hollywood Video’s ninety-nine cent rental deal, without which I would have never started watching Nip/Tuck also to Melissa Stevenson and Kate Bolin, whose appreciation of good television and FX, respectively, led me to start watching the series. As always, my thanks to Paule for putting up with sudden silences, bursts of wild enthusiasm and the other inconveniences of living with a writer. Thanks are also due to our contributors for putting up with a change of plan that made this a book about the entire run rather than just the first four seasons. As usual, I would like to thank Philippa Brewster and all at I.B.Tauris, and Kim Akass and Janet McCabe for useful advice and help with the call for papers. Craig McGill and Nick Proimakis made it possible for me to watch some episodes I might not otherwise have seen.
To Our Surgeons _ _ _ _ _ _ _ _ _ _ _ acknowledgements My thanks are due to Rob Hansen and Avedon Carol for persuading me to persevere with watching the first season of Nip/ Tuck.
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